A THOUSAND WORDS - Alex Waterhouse-Hayward's blog on pictures, plants, politics and whatever else is on his mind.




 

'T were blessed to have seen
Sunday, December 04, 2016


Daniella Ciccone

When my 14 year-old-granddaughter was a very little girl, then, as now she would sit opposite me at the dinner table. She would scream at me crying, “Don’t see me!” Now the tables are turned and she stares at me unwaveringly with a poker face. Today (I am writing this on November 30 2016) I asked her why she stared at me. Her answer was an unsatisfying, “Well to look at Abi (my Rosemary) I have to glance to the right.”

When I began to photograph Rebecca, my older granddaughter who is now 19) I never asked her to smile or laugh and to always look into the lens of my camera. Other members of the family, particularly her other grandparents wanted to know why in my portraits of the girls they never smiled or laughed. I tried to explain (to no avail) that the girls never volunteered to smile or laugh so that’s what I thought they wanted. I also explained that in the first photographs of children in the 19th century and particularly those of Julia Margaret Cameron they were serious for the camera. I further mentioned that children in Victorian times were treated as adults (to their detriment in their abuse in terrible working environments).


Alice Liddell by Julia Margaret Cameron, Rebecca Stewart & Isabell d'Medici by Bronzino

To delve into Lewis Carol and his relationship with Alice Liddell would have complicated matters even more. I simply stuck to my purpose and photographed my granddaughters staring into my camera with a serious expression.
With rare exceptions most of my editorial portraits have been taken in the same way as I rarely shoot profiles or make my subjects laugh. My usual instruction is to tell them, “Think about a smile but don’t.”

I believe that to look into a person’s eyes is to get at a hint (life force, soul, spark) that makes them individuals and different from me. I know that looking into a mirror confirms my individuality and existence and that I am even alive.


From Sleeping Beauty - Memorial Photography in America by Stanley Burns, M.D.


With the discovery of photography in the early 19th century photographers (unable to apply what they knew about math with infinitesimals and asymptotes) thought that if they pointed their camera at a person about to die they might catch that moment between life and death. Of course they failed. Both my granddaugthers, Rebecca and Lauren often look at the pictures of my Sleeping Beauty-Memoria Photography in America by Stanley Burns, M.D.



Jorge Luís Borges - Diane Arbus
 My confusion troubles me when I approach the idea of a blind man like my favourite Argentine poet Jorge Luís Borges who became blind at a young middle age. My confusion troubles me when I stare into the eyes of Rosemary’s cat, Casi-Casi. Can he think? Is he aware of his existence? At other times like many cats he does not want to be started at and looks away or closes his eyes.
This is a similar reaction (looking away) when I would stare at my early attempts into finding if a girl liked me. If they were to stare back I would immediately act like Casi-Casi.

There are many stories and superstitions in Latin America about a “mal hojo” and how such a person with an evil eye can cause you to experience unfortunate events.


I have wanted for years to test a belief I have about how we look at people and how they do it in return. The experiment is to place a young person (20s) in a room and have the person facing a camera on a tripod with a simple light to one side that cannot be moved. Then one by one the person’s father, mother, dentist, brother or sister, boyfriend or girlfriend, teacher, etc would individually take one snap. I maintain that with some judicious examination of the photographs one would be able who took each picture if thrown to the floor in a jumble.


Rebecca & the agave

A further thought for me in taking portraits is that no matter how objective we might be about a person we have met or not met we will have pre-conceived ideas on who and what they are like. Furthermore the person sitting for my portrait will hide what must be hidden and only show me what they think I should see in what and who they are. A good portrait has to be a blend, a collaboration between photographer and subject.


Lauren in my sailor whites


I ’VE seen a dying eye - Emily Dickinson

Run round and round a room
In search of something, as it seemed,
Then cloudier become;
And then, obscure with fog,       
And then be soldered down,
Without disclosing what it be,
’T were blessed to have seen.

 More Emily Dickinson

I pay in satin cash
Emily Dickinson's White Dress & a Hunter of Lost Souls
El vestido blanco - The White Dress
Water makes many beds
 The viola da gamba
 But sequence ravelled out of reach
 A parasol is the umbrella's daughter
 Without the power to die
 Lessons on the piny
Ample make this bed
How happy is the little stone
 Sleep is supposed to be
The shutting of the eye
I dwell in possibility
when Sappho was a living girl
In a library
 A light exists in spring
The lady dare not lift her veil
 I took my power in my hand
 I find my feet have further goals
 I cannot dance upon my toes
The Music of the Violin does not emerge alone
Red Blaze 
He touched me, so I live to know
Rear Window- The Entering Takes Away
Said Death to Passion
 We Wear the Mask That Grins And Lies
It was not death for I stood alone
The Music in the Violin Does Not Emerge Alone
I tend my flowers for thee
Lavinia Norcross Dickinson
Pray gather me anemone! 
Ample make her bed
His caravan of red 
Me-come! My dazzled face  
Develops pearl and weed

But peers beyond her mesh
Surgeons must be very careful
Water is taught by thirst
I could not prove that years had feet
April played her fiddle
A violin in Baize replaced
I think the longest hour
The spirit lasts
http://blog.alexwaterhousehayward.com/2014/03/i-left-them-in-ground-emily-dickinson.html
http://blog.alexwaterhousehayward.com/2014/01/i-felt-my-life-with-both-my-hands.html
http://blog.alexwaterhousehayward.com/2011/03/currer-bell-emily-dickinson-charlotte.html

http://blog.alexwaterhousehayward.com/2011/03/and-zero-at-bone-with-dirks-of-melody.html
http://blog.alexwaterhousehayward.com/2011/05/charm-invests-her-face.html

http://blog.alexwaterhousehayward.com/2011/06/i-could-not-see-to-see.html 
http://blog.alexwaterhousehayward.com/2011/06/blonde-assasin-passes-on.html
http://blog.alexwaterhousehayward.com/2012/12/you-almost-bathed-your-tongue.html




















     

Previous Posts
The Finest Woman Around

With a Little Help From My Friends (Editors & Art ...

My Galatea

A Maserati - an Overdue Library Book - Rachel Madd...

Peace at Last

My Mondrian in Black & White

The Dagger - El Puñal

The Now of Then

Grace Kelly's Neck

Blanca Rosa de un Jardín Borrado



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5/3/15 - 5/10/15

5/10/15 - 5/17/15

5/17/15 - 5/24/15

5/24/15 - 5/31/15

5/31/15 - 6/7/15

6/7/15 - 6/14/15

6/14/15 - 6/21/15

6/21/15 - 6/28/15

6/28/15 - 7/5/15

7/5/15 - 7/12/15

7/12/15 - 7/19/15

7/19/15 - 7/26/15

7/26/15 - 8/2/15

8/2/15 - 8/9/15

8/9/15 - 8/16/15

8/16/15 - 8/23/15

8/23/15 - 8/30/15

8/30/15 - 9/6/15

9/6/15 - 9/13/15

9/13/15 - 9/20/15

9/20/15 - 9/27/15

9/27/15 - 10/4/15

10/4/15 - 10/11/15

10/18/15 - 10/25/15

10/25/15 - 11/1/15

11/1/15 - 11/8/15

11/8/15 - 11/15/15

11/15/15 - 11/22/15

11/22/15 - 11/29/15

11/29/15 - 12/6/15

12/6/15 - 12/13/15

12/13/15 - 12/20/15

12/20/15 - 12/27/15

12/27/15 - 1/3/16

1/3/16 - 1/10/16

1/10/16 - 1/17/16

1/31/16 - 2/7/16

2/7/16 - 2/14/16

2/14/16 - 2/21/16

2/21/16 - 2/28/16

2/28/16 - 3/6/16

3/6/16 - 3/13/16

3/13/16 - 3/20/16

3/20/16 - 3/27/16

3/27/16 - 4/3/16

4/3/16 - 4/10/16

4/10/16 - 4/17/16

4/17/16 - 4/24/16

4/24/16 - 5/1/16

5/1/16 - 5/8/16

5/8/16 - 5/15/16

5/15/16 - 5/22/16

5/22/16 - 5/29/16

5/29/16 - 6/5/16

6/5/16 - 6/12/16

6/12/16 - 6/19/16

6/19/16 - 6/26/16

6/26/16 - 7/3/16

7/3/16 - 7/10/16

7/10/16 - 7/17/16

7/17/16 - 7/24/16

7/24/16 - 7/31/16

7/31/16 - 8/7/16

8/7/16 - 8/14/16

8/14/16 - 8/21/16

8/21/16 - 8/28/16

8/28/16 - 9/4/16

9/4/16 - 9/11/16

9/11/16 - 9/18/16

9/18/16 - 9/25/16

9/25/16 - 10/2/16

10/2/16 - 10/9/16

10/9/16 - 10/16/16

10/16/16 - 10/23/16

10/23/16 - 10/30/16

10/30/16 - 11/6/16

11/6/16 - 11/13/16

11/13/16 - 11/20/16

11/20/16 - 11/27/16

11/27/16 - 12/4/16

12/4/16 - 12/11/16